JOSEF HOLBROOKE (1878-1958): Nocturnes, Op. 121, No. 1 “Gulnare”, No. 2 “Donegal”, No. 3 “Juliet”, No. 7 “Ariel” and No. 8 “Ulalume”, Fantasie-Sonates No. 1 in A, Op. 124 “The Haunted Castle” and No. 2, Op. 128 “Destiny”, Cambrian Ballade, Op. 104 “Maentrog”.

Description: The pieces on this album dates from the composer’s later years, and are largely based on themes from his earlier successes. The inspiration for Holbrooke’s music was almost always literary; hence, the large number of symphonic poems and pieces with literary titles or subtitles in his work list. Almost all the 8 Nocturnes, Op. 121 employ material from some of Holbrooke’s most successful and popular earlier works. The music critic Ernest Newman, in an often quoted appreciation of the composer written in 1902, wrote that “…Holbrooke can do quite easily and unconsciously what [Richard] Strauss has only done half a dozen times in his career – he can write a big, heartfelt melody that searches us to the very bone…”, and these Nocturnes display Josef’s gift for lyricism. The two Fantasie-Sonatas, Opp. 124 & 128 respectively, are important and substantial works from Holbrooke’s later years. The first is closely based on the opening movement of the Dramatic Choral Symphony ‘Homage to E.A. Poe’, Op. 48 (1902-1907), but skilfully adapted for pianistic effectiveness. The second Fantasie-Sonata, ‘Destiny’, does not recycle earlier material: it is an entirely original composition of two movements. Simon Callaghan (piano).